The first photo featured in this post appeared in USA Today on April 26, 2011 and was photographed by Toru Yamanaka, an AP photographer. The photograph is an image of a man looking at a ship grounded on the roof of a building Japan after the March 11, 2011 earthquake and tsunami in Otsuchi, Japan. The ship washed up on the roof after massive flooding and is now being considered to be left in place as a national monument to commemorate those lost after the disaster. The news values I find relevant with this picture are timeliness due its rapid release and recent happenings of the event, prominence as it held world impact and affected the culture of an entire country and still is, impact for gathering world attention, and bizarre for the strange quality of the boat being on a building.
This next photo appeared in the Los Angeles Times on July 10, 2010 and was photographed by Carolyn Cole, a staff photographer for the Los Angeles Times. She is an established and successful photographer and won the Pulitzer Prize for Feature Photography in 2004. The photograph is an image of over 10 million gallons of oil being burned off after the Deepwater Horizon rig spill on April 20, 2010. The spill occurred in the Gulf of Mexico under the responsibility of the BP oil company after the ship caught fire while chartering oil and had worldwide impact on global economics. The news values I find relevant in this photo are timeliness because the photo appeared in a collage close to the time of the spill when the impact was still prominent, proximity because it happened close to the U.S. and affected the Gulf directly, and impact due to the environmental and economic damage the spill had on the world.
The third photo appeared in Time Magazine on March 2, 2011 and was photographed by Mohamed Abed, a photographer for Getty Images. The photograph is an image of the first day of protest in Cairo, Egypt on January 25, 2011. The protest began in an effort to demand the resignation of Egyptian president Hosni Mubarak and became violent over the weeks following the initial gathering. The news values I find relevant in this image are timeliness because the photo was released when the impact of the event was still relevant, impact because the national effect the protest had in Egypt, prominence because of the severity of the violent protests effects on the nation, and conflict due to the resistance of protesters to the Egyptian police.
The fourth image appeared in Sports Illustrated on March 3, 1980 and was photographed by Heinz Kluetmeier, an American sports photographer for Sports Illustrated. He has served as the magazines director of photography twice, has been credited for over 100 Sports Illustrated cover photos, and received the Lucie Award for outstanding achievement in sports photography in October 2007. This photograph is an image of what is commonly known as the “Miracle on Ice,” a historic hockey game at the 1980 Winter Olympics in Lake Placid, NY on February 22, 1980 that saw the United States successfully upset the Soviet Union, a team ranked as the top rated team in the world. The importance of the event was the overcoming of the powerhouse team with a misfit group of amateur and collegiate players. The news values I identify in this photo are proximity because it happened on American soil and was an accomplishment by the U.S. team, impact because it enticed a feeling of national pride for America, timeliness because the photo was release roughly a week after the event, and prominence because the Olympics are effective to the entire world.
The final photograph appeared in the New York Times on April 22, 2011 and was photographed by Bernat Armangue, an AP photographer. This photo is an image of a rebel fighter on February 15, 2011 preparing to join the front lines of battle in Ajdabiya, Libya. The rebel is just one of numerous rebels that have gone to battle in the ongoing struggle in Libya. The news values I find relevant in this image are timeliness since the photo was released during the time of the rebellion, conflict since it is an image of an armed rebel, impact because of the effect the rebellion has on the people of Lybia, and emotion because of the conflicting image of the rebel holding up a peace sign while mounted on a large weapon in front of the local art in the background.